Faransi Retro Lourd-duty Brodé Gauze Rido
Cogojirali
Tekniki paramɛtɛrɛw .
Fɛnw ɲɛfɔli
U kelen-kelen bɛɛ ye seko ni dɔnko poyi ye kogo kan. Ninnu tɛ rido gansanw ye, nka tulu ja saba-lamaw don minnu sirilen bɛ finɛtiri da la. Ni tile yeelen bɛ yeelen bɔ o fɛnw fɛ minnu dilannen don ni fɛn gɛlɛnw ye, a bɛ biɲɛ nɔgɔlenw fili kogo kan minnu bɛ i n’a fɔ dancɛ-.

Waati gundo minnu bɛ a kɔnɔkow la
● 3D Broderie Layer: A bɛ baara kɛ ni broderie jiri ye min ka bon -density ye walasa ka dusukunnata nɔgɔlen, min tɛ -nɔgɔ.
● Gradient Color Technique: Kulɛri minnu ka dɔgɔ-saturation i n’a fɔ champagne sanu ani hazy blue, olu bɛ kulɛri Changer cogo nɔgɔman na ni yeelen kɛrɛ ye.
● Drape Dynamics: Jiri min barika ka bon kɛrɛnkɛrɛnnenya la, o b’a to rido bɛ drape a cogo la k’a sɔrɔ a ma wuli.
A Magic Scene Across Time (Waati bɛɛ kɔnɔ).
● Salon cogoya: A bɛ kɛ kɛrɛ saba cɛɲi ye ni sofaw ye minnu dilalen don ni velours ye ani nɛgɛ lanpanw, o bɛ yɔrɔ in cogoya bonya.
● Sugu cogoya: I ka kunun nɔgɔya la sɔgɔma fɛ ni finiw dulonnenw ye, k’i ka don daminɛ ni laadalakow ye.
● Kalan kɛcogo: A bɛ yeelen gɛlɛn nɔgɔya k’a sɔrɔ a bɛ baara kɛ ni seko ni dɔnko ye walasa ka baara kɛli sɛgɛn na tabali kan.
I ka Art Gallery Kɛrɛnkɛrɛnnen ka kɛɲɛ ni i yɛrɛ sago ye
An b’a faamu ko so bɛɛ cogoya tɛ kelen ye, o de kama an bɛ ninnu di:
● Pattern Customization: K’a ta klasiki falenfɛnw na ka taa a bila mɔgɔ yɛrɛ ka lɛtɛrɛw faralen ɲɔgɔn kan
● Layɛrɛ sugandiliw: Layɛrɛ kelen bɛ cɛɲi fiyɛlen dɔ dilan, layɛrɛ fila bɛ yeelen ni biɲɛ nɔ layɛrɛ sɔrɔ
● Size Fit: A bɛ bɛn kosɛbɛ finɛtiri kɛrɛnkɛrɛnnenw ma minnu bɛ ni jiribolo ye ani duguma-ka se-finɛtiriw ma minnu bɛ sanfɛ.
Nin maana-falen rido in ka kɛ dugukolo ye min bɛ woyo i ka so kɔnɔ. Ni fiɲɛ nɔgɔlen dɔ bɛ ci, jiribolodalenw bɛ wuli dɔɔnin, i n’a fɔ mɔgɔ bɛ se ka sɔgɔsɔgɔkan mɛn ka bɔ Seine-nɛgɛbere kinin fɛ, ɲɛnamaya yɛrɛ ye seko belebeleba ye.

Tags hot .: faransi retro girinya-baara brodé gaze rido, Sinuwa faransi retro girinya-baara brodé gaze rido dilannikɛlaw, feerekɛlaw, izini
Aw ye ɲininkali ci .








